After receiving awards for piano, chamber music and vocal accompaniment with distinctions at the Conservatoire National Supérieur de Musique de Paris, Martin improved his skills at the Universität der Künste in Berlin. He benefited from the teaching of Jean-François Heisser, Marie-Josèphe Jude and then Jacques Rouvier.
He follows the master classes of Jean-Claude Pennetier, Roger Muraro, Hartmut Höll. He also received the enormously valuable advice of Ruben Lifschitz, a master of Lied and Melody, for six years.
The Maurice Ravel International Academy awarded him a prize on two occasions and invited him to perform at the Bonnat Museum in Bayonne and at the Ravéliades festival. He has been the winner of the international competitions Piano Campus, Maryse Cheilan Ville d'Hyères and Citta di Ostra, he stands out for his "fine, delicate and colourful playing" (Le Monde de la Musique).
He performed the original piano version of Debussy's Pelléas et Melisandre, at the Opéra-Comique with Stéphane Degout on the occasion of the centenary of the composer's death. He performed Janáček's Katia Kabanova on the piano in a performance that won the "Grand Prix du Syndicate de la Critique", directed by André Engel, at the Théâtre des Bouffes du Nord and then toured internationally. He regularly collaborates with the Théâtre du Châtelet at the Opéra-Comique with conductors like Sir John Eliot Gardiner, Evelino Pido and Jean-Claude Malgoire.
He has been invited to the Festival d'Aix-en-Provence, the Cité de la Musique, and the Capitole de Toulouse. He also participates in radio and TV programmes, in particular for the Japanese NHK; we could listen to him playing “la Cour des Grands” and “l’Atelier des Chanteurs” during the France Musique. Likewise, he is a CNSM accompanist.