El arte de escribir cartas
Synopsis
Writing a letter means leaving a trace. It is a way of speaking to someone who is absent, resisting forgetfulness and preserving an emotion before it disappears. Brett Dean takes this idea as the starting point for The Lost Art of Letter Writing, a work for violin and orchestra inspired by historical correspondence. Here, writing is transformed into sound and memory, as distant voices, private choices and political tensions find their voice through the violin.
Isabelle Faust, one of today’s most authoritative violinists, is the soloist in this intensely poetic and dramatic score. Her presence makes this one of the defining concerts of the season.
The second half is devoted to Beethoven’s Symphony No. 8, a concise, brilliant work of remarkable wit and musical intelligence. Here, instead of the heroic and monumental Beethoven, we encounter a composer who is playful, liberated and full of life. Wilson Ng conducts the Sinfónica de Tenerife in a programme where memory, words, expression and freedom find their most eloquent expression in sound.
Artistic datasheet
Isabelle Faust, violin
Wilson Ng, guest conductor
Programme
Brett Dean (1961*)
The Lost Art of Letter Writing, for violin and orchestra*
Ludwig van Beethoven (1770-1827)
Symphony No. 8 in F major, Op. 93
*Played for the first time by this orchestra.
Pre-concert talk
The Tenerife Symphony Orchestra will offer a pre-concert talk at 6:30 p.m. in the Sala Avenida (in the auditorium lobby) by Cristina Arnay, from the Tenerife Association of Friends of Music (ATADEM). Admission is free until capacity is reached.
Tickets
Access to the hall is not permitted once the doors are closed for the event to begin.
Access is only allowed to those over five years of age.
For further information, please check the general purchase terms and hall conditions.
If you have any questions while purchasing your tickets, please contact taquilla@auditoriodetenerife.com or call 922 568 625 from Monday to Friday, 10 a.m. to 2 p.m., except on public holidays.
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