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The period for new subscription holders is now open, maintaining the offer of €20 for audiences under 30.

Ópera de Tenerife opens the period for new subscription holders. The Club Ópera offers five 2024-2025 season titles for €100 (Tuesday and Thursday performances) and €150 (Saturday performances). The offer of 20 euros for the audience under 30 years of age is maintained. As a novelty, the Symphony Hall now has a single price zone for all seats, and subscribers now have an Iberia discount of 5% on Spanish and European flights and 7% on intercontinental flights.

The five titles included in the subscription are the in-house opera production Ariadne auf Naxos by Richard Strauss (15, 17 and 19 October), Madama Butterfly by Giacomo Puccini (19, 21 and 23 November), a production of the Teatro Comunale di Modena, La bella Susona, by Alberto Carretero (7 December), a contemporary proposal co-produced by Auditorio de Tenerife and the Teatro de la Maestranza of Seville, Giovanna d'Arco, by Giuseppe Verdi (25, 27 and 29 March), a co-production by the Teatro dell'Opera di Roma and the Palau de les Arts Reina Sofía, and Parsifal, síntesis sinfónico-coral en tres actos (Parsifal, a symphonic-choral synthesis in three acts) by Pedro Halffter (28 June), an adaptation of Wagner's work for choir and orchestra.

All of these titles involve the participation of the Tenerife Symphony Orchestra. The Ópera de Tenerife-Intermezzo choir will participate in all the productions except the season's opening show. The performances begin at 7.30 p.m. in the Symphony Hall of the Auditorio de Tenerife.

The subscription holders of the Club Ópera enjoy a series of benefits: They guarantee their seat from before the start of the season, they are invited to exclusive events for each title, and they will get a free drink in the interlude of each subscription title. On the other hand, they are sent the handheld programme via email in advance, have flexibility when making specific changes to their pass, and have a discount and preferential sale for the rest of the season's programme. They can also benefit from discounts in the store, on guided visits and in the café. The Club offers discounts for large families, wheelchair users, and the person accompanying them.

The Club Ópera Joven subscription holders enjoy some of these benefits, including the discount at Iberia. Before the start of the season, they can choose their seats for each subscription title. They are invited to exclusive events, they receive their handheld programme in advance, and they can request specific date changes for their subscription. They also receive personalised assistance via phone and email and can enjoy a discount in the café at the Auditorio.

Detailed information is available at the Subscriptions section of www. operadetenerife.com, where you can also purchase the subscription online. The opening hours of the box office and telephone sales (902 317 327) are Monday to Friday from 10 a.m. to 5 p.m. and Saturdays from 10 a.m. to 2 p.m., except for public holidays. The information telephone number of the Auditorio de Tenerife, 922 568 625, is open from Monday to Friday from 10 a.m. to 2 p.m., except for public holidays.

The Ópera de Tenerife is an initiative organised by the Island Council through the Auditorio de Tenerife with the collaboration of the ICDC (Regional Institute of Cultural Development) and the INAEM (National Institute of Performing Arts and Music).

The season begins on 15, 17, and 19 October with our in-house opera production in a prologue and one act, Ariadne auf Naxos, by Richard Strauss. This meta-theatre is based on the mythological story of Ariadne, who was abandoned by her lover Theseus on the Greek island Naxos shortly after helping him to defeat the minotaur. Commedia dell'arte characters led by Zerbinette, played by the soprano Serena Sáenz, will encourage the princess, the leading role played here by the soprano Irina Churilova, who ends up meeting the god Bacchus, who will be brought to life here by the tenor Michal König. The mezzo-soprano Na'ama Goldman will play the role of composer. The musical direction is by Diego Martín-Etxebarría, and Nicola Berloffa provides the stage direction.

One of the world's most widely performed operas, Madama Butterfly by Puccini, is coming to the Auditorio de Tenerife on 19, 21 and 23 November to move people with the tragic story of Cio-Cio-San. This geisha, played by the soprano Kristine Opolais, puts her all into her marriage with Pinkerton, an American soldier played by tenor Giorgi Sturua, who views her more as a pastime during his time in Japan than as a real partner. The maid Suzuki and the consul Sharpless will be performed by the mezzo-soprano Alisa Kolosova and the baritone Fernando Campero, respectively. Puccini's three acts of this story, celebrating its 120th anniversary, mix love, betrayal and sacrifice. The musical direction is by Ramón Tebar, while Stefano Monti provides stage direction.

La bella Susona, which takes place on 7 December, tells the story of a young Jewish woman from Seville in the 15th century. Susona, played by the soprano Daisy Press, betrayed her father, played by the baritone Luis Cansino. She reveals to her lover, a Christian knight played by the tenor José Luis Sola, the existence of a plot, in which her father was the ringleader. The members of the group of conspirators are arrested and executed. La Susona, ostracised and dejected, retires to a convent and orders to place her head above the door of her home upon her death. Nacho de Paz will be the musical director, while Carlos Wagner will provide the stage design and playwriting.

On 25, 27 and 29 March 2025, Giovanna d'Arco, Verdi's seventh opera will come to the Auditorio de Tenerife. This work tells the story of Joan of Arc, a young French peasant girl in the 15th century who contributed to the coronation of Charles VII as king in his battle against the English invasion during the Hundred Years' War. The archangel Michael and two martyrs spoke to the young girl through visions, which provided the keys to leading battles. The cast of this production is led by two Canarian singers with internationally renowned careers: Yolanda Auyanet as Joan of Arc and Airam Hernández as Monarch, and the baritone Juan Jesús Rodríguez as Pastor Giacomo. The stage direction of Davide Livermore will complement the musical direction by Lukasz Borowicz.

The last of the subscription titles of the season is Parsifal, síntesis sinfónico-coral en tres actos (Parsifal, a symphonic-choral synthesis in three acts) by Pedro Halfter, which will take place on 28 June. After the symphonic poem Tannhäuser in 2023, the Madrid orchestra conductor is returning to Ópera de Tenerife to present a reduced version, with choir and orchestra, of a work by Richard Wagner, whom he admires. On this occasion, it is Parsifal, the magnum opus by the German composer about the life of the Arthurian knight and his quest for the Holy Grail.

Other Proposals, not included in the subscription, will complete the 2024-2025 season: the programme Ópera en minúscula (small-format opera) in September at the Espacio La Granja; Die Fledermaus (The Bat) by Johann Strauss (December), in collaboration with the Canary Islands music festival 'Festival de Música de Canarias' and the Teatro Pérez Galdós, Leonard Bernstein's chamber opera Trouble in Tahiti in January, a revival of the Auditorio de Tenerife's production, a baroque opera in collaboration with the Teatro Guimerá in January and February, which will be accompanied by baroque recitals, the family opera El retablo de maese Pedro, by Manuel de Falla in April, and several opera recitals by the soprano Raquel Lojendio.

Likewise, the partnership with Ramón Gener as ambassador of the Ópera de Tenerife is being renewed for another season through educational talks that will take place before each title to provide context and discover the musical curiosities of the piece. Ramón, who is also a writer who just published his first novel, Historia de un piano (The Tale of a Piano), is returning, accompanied by his characteristic presentations, piano, and voice. The first date with the Catalan populariser will be 10 July at 7:30 p.m. in the Chamber Hall.

The FMUC programme features premieres of Canarian composers, the Donostia trio Zukan and Tak Nara

This week the Auditorio de Tenerife is hosting three concerts and a composers' gathering. All these events are part of the Tenerife Contemporary Music Festival (FMUC). The Chamber Hall and the Sala Puerto will host the activities between tomorrow (Wednesday, the 12th) and Friday (the 14th). Tickets can be purchased at a single price of €10 and €5 for the audience under 30 years of age.

The first event of the week is double and takes place tomorrow. The Sala Puerto will host, from 5:30 p.m., the traditional FMUC composers gathering, which, in this edition, has as protagonists the Canarian composers Francis Hernández, Celia Rivero, Rubens Askenar and Nino Díaz. Following this meeting, at 7:30 p.m., the Chamber Hall will witness the premiere of the new compositions of these creators, which Auditorio de Tenerife has commissioned.

The programme will be performed by the accordionist María Zubimendi, the percussionists Verónica Cagigao and Daniel Marín, and also the elementary percussion students of the Professional Music Conservatoire of the Canary Islands (Tenerife). The concert starts with Estaciones del alma, by Celia Rivero, written for marimba and electronics, to continue with the five pieces for marimba Fractura. Refracture by Rubens Askenar, which will be played for the first time. Next, the Six Children's Songs for marimba and vibraphone by Nino Díaz will take over from the concert, which ends with a Cinematic Suite for accordion and marimba/vibraphone by Francis Hernández.

On Thursday (13th), the San Sebastian trio Zukan will offer their special blend of percussion, accordion and txistu, a type of Basque flute. The concert will take place at 7:30 p.m. at the Chamber Hall. An hour before, at 6:30 p.m., there will be a pre-concert talk in Sala Avenida with the three members of the group – Maria Zubimendi on accordion, Gorka Catediano and Jon Ansorena on percussion – and the composer Alberto Bernal, whose work LOOPis part of the programme. Since its formation in 2014, the Zukan Trio has been committed to creating a repertoire for this unique instrumental ensemble.

Lastly, FMUC closes this edition on Friday, at 7:30 p.m. in the Chamber Hall, with the percussion concert Tak Nara, comprised of Verónica Cagigao and Carlos Castañeda. The concert programme includes pieces by the Dutch composer Theo Loevendie, the Spanish composers Francisco Tárrega and Manuel de Falla, the Serbian Nebojša Zivkovic and the Japanese Keiko Abe.

The tickets are available on the website www.auditoriodetenerife.com, at the auditorium's box office or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. There are discounts for students, unemployed and large families.

The Valencian artist takes up three of the choreographies he created during the 20 years he directed the National Dance Company

This weekend, the Auditorio de Tenerife offers two performances by the Nacho Duato Company. The Valencian director's new ensemble will offer a programme with three works - Jardí tancat, Duende and Na floresta - on Saturday (15th) and Sunday (16th) at 7:30 p.m. in the Symphony Hall. The tickets are on sale for a single price of €15 and €5 for audiences under 30.

Over ten years since Nacho Duato left as director of the National Dance Company, he has been returning to the Spanish stage through his new company. This novelty results from training young international dancers at the Nacho Duato Trainee Program in Madrid alongside the director himself.

The Compañía Nacho Duato is reviving some of the most important choreographies by the artist, which garnered so many successes over the 20 years during which the choreographer led the National Dance Company and which at present can only be watched in a scattered fashion through different international companies.  

Jardí tancat is the debut work of Nacho Duato and one of the most significant works in his extensive oeuvre. The piece is inspired by centuries-old texts in Catalan, which the singer María del Mar Bonet has set to singing and music. The songs refer to the labour of the land and sea, where the singing voice proclaims both the toughness of their work and their troubles with love. The cast of three couples gives the choreographer enough options to express moods, whether through all of the dancers, in couples or individually. The ballet takes on an atavistic character as if it were the rain and wind that determined the movement.

Duato fell in love with the music of Debussy a long time ago, especially how the composer transforms the sound of nature into music. Duato visualises forms, not people, relationships or events, when he listens to his music. Therefore, he considers Duende an almost sculptural work: a body, a movement in harmony with the melody. In a fun way, the ballet also delves into the ways of expressing the different meanings of the word it takes its title from having duende, which could be considered to mean having personal charm or magic in the art of flamenco; and duendes (goblins), as mythological beings, would have a pretty different character.

Na floresta is a musical triptych that recreates the beauty of the Amazon rainforest, directly taking from the folklore the very essence of its splendour. Passionate energy runs through this work, created through sequences packed with content and fluidity. It does not transmit a specific message but serves as a pretext to create movement based on the music. However, Na floresta conveys a feeling of an intimate relationship with nature.

The tickets are available on the website www.auditoriodetenerife.com, at the auditorium's box office or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 02:00 p.m. There are discounts for students, unemployed and large families.

Shiyeon Sung will conduct a programme in which the orchestra also performs compositions by Chapí and Tchaikovsky

The Sinfónica de Tenerife concludes the subscription season with a performance of Scheherazade by Rimsky-Korsakov. Beforehand, the orchestra will perform the prelude to La Revoltosa by Chapí and the Concerto for violin by Tchaikovsky, featuring the Chinese musician Ning Feng as guest soloist. Shiyeon Sung from South Korea will conduct the orchestra at the event this Friday (14th) at 7.30 p.m. in the Auditorio de Tenerife.

Sung has stated that “she is really excited” to return to the island to conduct the Sinfónica de Tenerife again after doing so in November 2022. The South Korean conductor believes that “the orchestra is very flexible and versatile in terms of sound”, and she is very curious to see “how we will build a rapport together in this romantic and varied programme.”

Friday’s programme begins with the prelude to La Revoltosa, one of the most successful zarzuela scores internationally.  It was written by Ruperto Chapí in 1897 and is set in a traditional neighbourhood courtyard in Madrid.

A performance will follow it in the concert hall of the Violin Concerto in D major, Op. 35, TH 59 by Pyotr Ilyich Tchaikovsky, a work created in 1878 during one of the peaks of the composer’s career.  The piece presents the lyrical passion that is characteristic of his work, and it emerges as a response to his complicated personal life.

The soloist featured in this work will be the Chinese violinist Ning Feng, who recalls that this Concerto was the first he performed with an orchestra and that “although I have performed it many times, I am deeply moved by this great work.”

After the interlude, the symphony orchestra will perform the work that lends its title to the last pass-holder concert of the season: Sheherazade, op. 35 by Nikolai Rimsky-Korsakov.  This composition, released in 1888 during the wave of Orientalism that swept over European arts, blends a symphonic poem and an orchestral fantasia.

Shiyeon Sung studied orchestral conducting with Rolf Reuter at the Hanns Eisler School of Music in Berlin and continued her education with advanced conducting studies with Jorma Panula at the Royal College of Music in Stockholm. Sung was the first female conductor of South Korea to leap the podium of internationally renowned orchestras, such as the Radio France Philharmonic Orchestra, the Los Angeles Philharmonic, the Konzerthaus in Berlin, the Bamberg Symphony Orchestra and the Nuremberg Symphony Orchestra.

Her career has been honoured with numerous prizes and awards, such as the Georg Solti International Conductors' Competition and the Gustav Mahler Conductors' Competition in Bamberg. During her three-year tenure in Boston, she began a close collaboration with the Seoul Philharmonic Orchestra and conducted their season-opening concert in 2007. Two years later, the orchestra established an associate conductor's position which she held until 2013.

Ning Feng studied at the Sichuan Conservatory with Weimin Hu, at the Hochschule für Musik Hanns Eisler in Berlin with Antje Weithaas and at the Royal Academy of Music in London with Hu Kun. He is currently Professor of Violin at the Hanns Eisler Hochschule and holds the International Chair of Violin at the Royal Northern College of Music in Manchester.

Ning Feng has performed with the Philharmonic Orchestras of New York and Los Angeles, the Bavarian Radio Orchestra, and the London Philharmonic Orchestra. He has also recently performed with the São Paulo Symphony, Melbourne Symphony, and KBS Symphony in Seoul. He regularly gives recitals at London's Wigmore Hall and the most prestigious European festivals.

The Sala Avenida, located in the hall of the Auditorio de Tenerife, hosts the last lecture of the season by the Tenerife Association for Friends ATADEMon the different formal aspects of the three pieces that will be played in the closing programme. On this occasion, the event will be presented by Lourdes Bonnet at 6:30 p.m.

The tickets for this new concert can be purchased until next Friday on the website www.sinfonicadetenerife.es, at the auditorium's box office and by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m. In addition, this Thursday (13th), the sales period opens for the new season members, after the end of the renewal period.

Presentation of seven new Canarian projects associated with cultural heritage, education and social groups

The Arts and Movement Festival FAM organised a forum of professionals to promote dance through projects underway in the Canary Islands associated with education, cultural heritage and social groups. The meeting took place on Thursday (6 June) at the Teatro Guimerá. It was attended by the Minister of Culture of the Island Council of Tenerife, José Carlos Acha, and the council member for Culture of Santa Cruz de Tenerife, Santiago Díaz.

During his speech, José Carlos Acha mentioned the recent aid measures approved by the regional government for the Network of Municipal Performing Arts Venues: “The creation of networks is of vital importance, and we are here today to promote projects that may be taken anywhere on the island”. The council member added, “Dance is such an extraordinary medium. It is an ephemerous art that changes with every performance and develops languages of corporal expression to allow creation, participation and social inclusion through culture”. Santiago Díaz appealed to the sector, asking for greater relevance of “educational initiatives for artistic performances as a means of achieving greater enjoyment of the public and increased involvement of all spectators”.

The artistic director of the Auditorio de Tenerife, José Luis Rivero, and the coordinator of the Performing Arts of the Regional Institute of Cultural Development (ICDC), Lorena Matute, introduced the event. Rivero explained that “The Festival of Dance Arts has always taken place with the help of a forum to have time to reflect, to inspire and to motivate. This year’s novelty is that the curatorship has been taken on jointly by the three institutions collaborating in the festival”.

Both speakers provided the audience with data on their respective programmes for the exhibition of performing arts. The information suggests little activity in the area of dance, which may be explained by the fact that authorities invest far less in dance than in other disciplines. Lorena Matute suggested “searching for a common ground to see dance from a perspective other than an exhibition, to meet goals by taking a different approach from areas such as cultural heritage, social initiatives or education”.

Details were provided on the projects that had been invited to participate in the forum. The managers of the Autonomous Department of Cultural Affairs of the City Council of Santa Cruz de Tenerife, Leandro González and Yudi Acosta, presented the video-dance performance Cabeza de venado, which was shown along with the eponymous painting of Diego Velázquez, on loan from the Prado Museum, and the show Dulces bestias of the company Nómada. The second project shown was Across Hip Hop, presented by the council member for Culture of Las Palmas de Gran Canaria, Adrián Santana, and Vanesa Medina, the educational coordinator of the project, which features the artistic direction of Natalia Medina.

Afterwards, the photographer and videographer Derek Pedrós and the dancer Emiliana Battista Marino offered the public details of their project on dance and architecture. La Pascua Florida de Guía de Isora was presented by the councilmember, José Vidal, and the dancer and choreographer Roberto Torres. The artistic project Puzzle Atípico, which places professionals from the worlds of dance, theatre, performance art and video art alongside ordinary people with and without Asperger’s/ASD, was shown by the person in charge of the initiative, the head of the Laboratory of Live Arts and Citizenship of Tenerife, Beatriz Bello, and the representative of the association Aspercan, María Europa Luis Ramallo.

The council member of the Island Council of Lanzarote, Alejandro Aguilar, and the director of Studio Danza Emocional, Celia Medina, presented the programme Diversos. Lastly, the programme Danza en Comunidad by the Auditorio de Tenerife was shown with the collaboration of José Luis Rivero and the coordinator and dancer Laura Marrero.

This Sunday (9th), the Arts and Movement Festival FAM culminates at 7:30 p.m. with the large-format performance Mont Ventoux, by the Spanish company Kor'sia. The show has three nominations for the Max Awards for the Performing Arts. In addition, the programme continues today (Friday 7 June) with several proposals to be enjoyed in the streets of Santa Cruz. On Saturday (8th), the Espacio La Granja welcomes He aquí un acto romántico by Richard Mascherin, and the Teatro Guimerá hosts Sonoma, by La Veronal. You can find the tickets for the indoor shows, at a single price of €8, and all the updated information on the festival on the website www.famtenerife.com.

The FAM festival, which started on June 1 in different venues in Santa Cruz, is an initiative promoted by the Auditorio de Tenerife with the collaboration of the Canary Islands Government through the Regional Institute of Cultural Development, the Autonomous Department of Cultural Affairs of the City Council of Santa Cruz de Tenerife and the programme "Danza a Escena", which is part of the Spanish Network of Theatres of the National Institute of Performing Arts and Music (INAEM) of Spain's Ministry of Culture.

During next Tuesday's performance in the Chamber Hall, he will feature three sonatas by the Austrian composer.

The Auditorio de Tenerife offers a concert by the English pianist Paul Lewis this Tuesday (11 June). It is the third concert by the British master with the repertoire of Franz Schubert (1797-1828) for the Tenerife audience. This Integral will take place in the Chamber Hall at 7:30 p.m. and includes three piano sonatas by the Austrian composer.

The programme includes an intermission and will begin with the Piano Sonata number 4 in A minor, D 537, to continue with the Sonata number 9 in B major, D 575. After the intermission, Paul Lewis will perform the Piano Sonata number 18 in G major, D 894. With frankness and sincerity, Schubert's sonatas express some of the most essential elements of human experience: longing, consolation, despair, joy, loss, nostalgia, and hope.

In September 2023 Paul Lewis began to show in Tenerife this deepening of Schubert's compositions written for piano that will finish with the fourth and final integral next October. During these concerts, Lewis will guide us through the last 12 years of the 19th-century composer's life and creation, from the charming lyricism of the early sonatas to the transcendent creativity of the last masterpieces and the harrowing moments of despair when Schubert's health began to decline.

Lewis is a renowned performer of the Central European piano repertoire. His performances and recordings of Beethoven and Schubert have received unanimous acclaim. He was awarded a Commander of the Most Excellent Order of the British Empire (CBE) for his services to music, and his musical approach has earned him followers all over the world.

He has performed as a soloist with orchestras such as the Philharmonic Orchestras Berlin, the Bavarian Radio Orchestra, the Philharmonic Orchestras of New York and Los Angeles, the Symphony Orchestras of Chicago and London, the NHK Symphony Orchestra, the Royal Concertgebouw, and the Leipzig Gewandhaus. His close relationship with the Boston Symphony Orchestra led to his appointment as a Koussevitzky Artist 2020 at Tanglewood.

He has received awards such as instrumentalist of the Year of the Royal Philharmonic Society, two Edison, three Gramophone, Diapason d'Or de l'Annee, the South Bank Show Classical Music Award, and honorary degrees from the universities of Liverpool, Edge Hill and Southampton.

The tickets can be purchased at a single price of €15 and €5 for audiences under 30 on the website www.auditoriodetenerife.com, at the auditorium's box office, or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. There are discounts for students, unemployed and large families.

The wind bands of La Orotava, Santiago del Teide, El Tanque and Icod de los Vinos offer their repertoire in the Chamber Hall

The new edition of the Primavera Musical cycle, organised since 2005 by the wind bands federation 'Federación Tinerfeña de Bandas de Música' with the collaboration of the Island Council, ends this Sunday, June 9. At 11.30 a.m., the Chamber Hall will host the performances by the wind ensembles Orotava, Santiago del Teide, Santísimo Cristo del Calvario (El Tanque) and José Manuel Cabrera Mejías (Icod de los Vinos).

The band Agrupación Musical Orotava, which is celebrating its 40 anniversaries, will perform two works, directed by Julio Castañeda Fumero: the pasodoble El Olmo, by Francisco José Martínez Gallego and Suite Popular Canaria, by Santiago Reig. With five movements, this work won in 1956 the Teobaldo Power Prize for Composition instituted by the Tenerife Island Council. It premiered on May 2 of the following year at the Teatro Guimerá under the direction of the composer.

The wind band 'Banda de Música Santiago del Teide', created in 1991, will be the second group to take to the stage of the Chamber Hall. Jorge Pujol Fumero will lead the group in performing their three pieces. The band will start with El baile de Luis Alonso, by Gerónimo Giménez, to continue with Mambo Jambo, de Pérez Prado, arranged by Nahoiro Iwai. To close their presence in this edition of Primavera Musical, the band will perform La sierra negra by Eduardo Brito.

José Eduardo Morales Meneses will conduct the ensemble 'Agrupación Musical Santísimo Cristo del Calvario'. The band from the northern municipality of El Tanque will perform Chuck Elledge's A Cecilia, Klaas van der Woude's Hello Dolly and Nahoiro Iwai's La Bamba in the Chamber Hall of the Auditorio de Tenerife.

The wind band 'Agrupación Musical XIX de Marzo' from San Juan de la Rambla will close the present edition of Primavera Musical. Conducted by Juan Alexis González Rodríguez, the band from Icod de los Vinos, which was formed in 2010, will perform three works from their repertoire: the Christian march Reige, by José María Ferrero Pastor, the soundtrack of Andrew Lloyd Webber's Jesus Christ Superstar, arranged by Willy Hautvast, and the pasodoble Bravo Mestre, by Ferrer Ferrán.

This concert brings to a close the performances that more than 1,500 musicians of the 37 ensembles registered in the wind bands federation 'Federación Tinerfeña de Bandas de Música' have offered in the Chamber Hall of the Auditorio de Tenerife since last March.

The programme returns to the streets tomorrow, and Espacio La Granja and Teatro Guimerá host shows on Saturday.

This Sunday (9th), the Arts and Movement Festival FAM culminates at 7:30 p.m. in the Symphony Hall of Auditorio de Tenerife with the large-format performance Mont Ventoux, by the Spanish company Kor'sia. The show has three nominations for the  Max Awards for the Performing Arts. In addition, the programme continues tomorrow with several proposals to be enjoyed at the Museo de Bellas Artes (Fine Arts) and in the streets of Santa Cruz. On Saturday (8th), the Espacio La Granja welcomes He aquí un acto romántico by Richard Mascherin, and the Teatro Guimerá hosts Sonoma, by La Veronal. You can find the tickets for the indoor shows, at a single price of €8, and all the updated information on the festival on the website www.famtenerife.com.

FAM returns tomorrow to the outdoor performances with the duet La medida que ha de nos dividir, a show on borders and the future by the company Qabalum, formed by Lucía Burguete and Diego Pazó. There are two performances, the first at 6:00 p.m. in the surroundings of the Plaza del Príncipe and the second at 8:30 p.m. outside the Teatro Guimerá.

The only indoor performance scheduled for Friday will be In-Side, an interpretation by Lucía Montes and Mado Dallery at 6:30 p.m. and 9:00 p.m. at the Museo de Bellas Artes (Fine Arts). The reflection on the state of the human body and its awareness has free entry until total capacity is reached. However, you shall collect the invitation one hour before the event starts.

The solo show Vacío espiritual by Richard Mascherin focuses on contemporary performing and audiovisual arts. It will take place in the Plaza del Chicharro at 7:00 p.m. The piece by the Canarian creator is a performative accident that falls within the contemporary dance category in which the body, sound and techno music are interrelated. In addition, there will be live music by Alejandro da Rocha.

At 8:00 p.m., the exterior of the Teatro Guimerá welcomes the duet Otempodiz by the company Ertza. The show is nominated for the Best Street Show at the next Max Awards. The show with the slogan Vosotros tenéis el reloj, nosotros tenemos el tiempo (You have the clock; we have the time), referring to the differences in perception of time between the West and Africa. The director of the company is Basque Asier Zabaleta, while this piece stars Mozambican Fenias Nhumaio and Deissane Machava.

Two indoor performances have been scheduled for Saturday, 8 June. Espacio La Granja features at 6:00 p.m. the trio He aquí un acto romántico, by the Richard Mascherin Company, nominated for the Max Award for Best Male Dance Performer. In addition to Mascherin, this piece is performed by Lucía Montes and Javier Mario Salcedo. This stage proposal uses physical and emotional falling to create a map of human bodies thrown into the air. The piece starts with tense corporeality and an atmosphere of cinematographic inspirations. It is about three victims who ceremoniously assume a spiral of violent situations, making accidents, provocations, attachment and non-attachment a rite of passage towards transcendence.

At 8:00 p.m., the Teatro Guimerá welcomes Sonoma by the company La Veronal, led by Marcos Morau, winner of the National Dance Award. Sonoma is a word that you will not find in a Spanish dictionary. It is, however, built with morphemes from Greek (soma, meaning body) and Latin (sonum, meaning sound) to signify the body of sound and sound of the body. Sonoma is the certainty that the virtual and digital worlds can be surpassed only by a return to the origin. Marcos Morau has further developed the essential ideas of the piece he created in 2016 for Ballet de Lorraine: Le Surréalisme au service de la Révolution. Based on the film director, Luis Buñuel, it is set in his hometown of Calanda in the Middle Ages and cosmopolitan Paris, and the plot deals with Jesuit discipline and surrealist liberty. The piece is performed by Lorena Nogal, Marina Rodríguez, Sau-Ching Wong, Ariadna Montfort, Núria Navarra, Àngela Boix, Laia Duran, Anna Hierro and Alba Barral.

The Symphony Hall of the Auditorio de Tenerife hosts the FAM festival's grand finale on Sunday, June 9, at 7:30 p.m. by climbing Kor'sia's Mont Ventoux.  The show has three nominations for the Max Awards 2024, to be presented on July 1 at the Auditorio de Tenerife: Best Dance Performance, Best Choreography (the company's directors Antonio de Rosa and Mattia Russo) and Best Musical Composition for a Stage Space (Alejandro da Rocha, composer).

The company was inspired by the philosopher Francesco Petrarch's (1336-1374) Ascent of Mont Ventoux (1336). Cunningly describing an ascent of a mountain as the simplest of accounts, Petrarch offers an alternative to the faith of the world, an ascending journey for humanity to elude and leave behind the dark years of the Middle Ages, bringing about a paradigm shift for the world to come: humanism. The Kor'sia Collective seeks answers from the humanist past to the conflicts proposed by a 21st-century paradigm shift: the construction of an individual capable of rebuilding themselves and the planet. Everything is overcome by obstinate work.

The FAM festival, which started on June 1, is an initiative promoted by the Auditorio de Tenerife with the collaboration of the Canary Islands Government through the Regional Institute of Cultural Development, the Autonomous Department of Cultural Affairs of the City Council of Santa Cruz de Tenerife and the programme "Danza a Escena", which is part of the Spanish Network of Theatres of the National Institute of Performing Arts and Music (INAEM) of Spain's Ministry of Culture.

FMUC offers four concerts, the first being this Friday with the new creation of the Tenerife-born Francis Hernández

The Auditorio de Tenerife welcomes the Contemporary Music Festival programme, FMUC, which begins this Friday (7th) at 7:30 p.m. in the Chamber Hall with Texturas, the new creation of Tenerife's composer Francis Hernández. The rest of the activities and concerts will take place next week. Tickets can be purchased at a single price of €10 and €5 for the audience under 30 years of age. Other discounts, such as a subscription ticket for all four concerts for €30, are also available.

Texturas is a work commissioned by Auditorio de Tenerife for this festival. For its creator, "textures play a crucial role in art in conveying sensations and meanings; they can have visual and tactile connotations that impact how we perceive a piece of art".

This composition aims to reflect different sensations through a symbiosis of music and image, with auditory and visual perception as the scope of action. This symbiosis will consist of typical textures in the environment, which the audience can interact with at specific moments in the visual part through an interactive project with Stable Diffusion, a generative artificial intelligence model that creates images. Thus, the entire hall will be transformed into a creative and interactive space at specific moments of the concert.

This work is the brainchild of Francis Hernández and Dea Woon Kang. Paco Díaz, director of FMUC, is also involved in the stage direction and staging of the entire musical component. Students from the Professional Music Conservatoire of the Canary Islands will perform the score.

The rest of the activities will continue on Wednesday (12th) at 5:30 p.m. in the Sala Puerto with a meeting of the composers Francis Hernández, Celia Rivero, Rubens Askenar and Nino Díaz, which will lead a concert with premiere works by these Canarian creators, also commissioned by the Auditorio de Tenerife.

On Thursday (13th), the San Sebastian trio Zukan will offer their special blend of percussion, accordion and txistu (type of Basque flute). Lastly, FMUC closes this edition with the percussion concert Tak Nara, comprised of Verónica Cagigao and Andrea Domínguez, who will perform Dualismos. All concerts will take place in the Chamber Hall at 7:30 p.m.

The tickets are available on the website www.auditoriodetenerife.com, at the auditorium's box office or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 02:00 p.m. There are discounts for students, unemployed and large families.

Mucha Muchacha will take place tomorrow at Espacio La Granja, and on Wednesday, Santa Cruz will welcome the first outdoor performances.

The Arts and Movement Festival FAM continues with various indoor and street performances this week. Tomorrow (Tuesday 4), Mucha Muchacha brings its show of the same name to Espacio La Granja, while on Wednesday (day 5), outdoor shows predominate, and on Thursday (day 6) the Teatro Guimerá receives Mariana by Luz Arcas' company La Phármaco, which includes dance, music and singing. The tickets are sold at a single price of eight euros and other information about the festival can be consulted at www.famtenerife.com.

Tomorrow, at 8:00 p.m., the Espacio La Granja welcomes the first large-format performance of Mucha Muchacha, interpreted by the eponymous company. It is a declaration of intentions embodying movement, community, femininity, and ritual. In 2016, the company embarked on a journey to document the inspiring stories of the female artists of the generation of 1927, known as Las Sinsombrero (the hatless). These women, such as Maruja Mallo, Marga Gil, María Teresa León, Concha Méndez and Rosa Chacel, played a part in Spain's cultural unrest and societal modernisation in the 1920s and 1930s and were silenced in the wake of the Spanish Civil War. The undertaking, which began as a form of theoretical and practical research and became the starting point of Mucha muchacha, focuses on concepts of empowerment, determination, voice, participation, liberty and cooperation.

The dance performances come to the streets of Santa Cruz on Wednesday (5th) with Onde pousa a humidade, the first solo endeavour of Marcia Vázquez. The show explores the relationship between the human body and waiting and can be enjoyed at 5:30 p.m. in Plaza del Príncipe and 7:30 p.m. outside Espacio La Granja.   Also scheduled for that day is the indoor performance This is Alfred, a story about a fragile being and his new reality, by Elías Aguirre with Jorge da Rocha on double bass. It will be staged at 6:00 ap.m. at the Museo de Bellas Artes (Fine Arts). At Espacio La Granja at 8:00 p.m., Oro negro, a solo performance with two interpreters and live music by the creator Poliana Lima, will be performed.

On Thursday, 6 June, Luz Arcas and her company La Phármaco will offer the public the live-music show Mariana at the Teatro Guimerá at 8:00 p.m. The dancing of Luz Arcas is joined by the voice of Bonela Hijo, as well as the singing, hand-clapping and foot-stomping of Lola Dolores. On the instrumental side, Carlos González will play the percussion and synthesizer, Abraham Romero will play the cornet, and Bonela Chico will play the guitar. Inspired by a female animal of the countryside, Mariana is a dance sculpted in stone and clay, schematic, rough-hewn and precise, a dance that is as abstract and symbolic as it is utilitarian and material. Recreating the beast's strength, Luz Arcas stars in this cuerpo jondo (deep body) dance.  Mariana is a co-production with the Bienal de Flamenco of Seville, Teatros del Canal of Madrid and MA scène nationale - Pays de Montbéliard (France). 

FAM continues outdoors on Friday, 7 June, with the duet performance La medida que nos ha de dividir interpreted by the Qabalum Company at 6:00 p.m. in Plaza del Príncipe and 8:30 p.m. outside the Teatro Guimerá. For a different experience, Vacío espiritual will be performed by Richard Mascherin in Plaza del Chicharro at 7:00 p.m., and an hour later, the duet performance of Otempodiz will be offered by the Ertza Company outside the Teatro Guimerá. The show is nominated for the Best Street Show at the next Max Awards. The only indoor performance scheduled for Friday will be In-Side, an interpretation by Lucía Montes and Mado Dallery at 6:30 p.m. and 9:00 p.m. at the Museo de Bellas Artes (Fine Arts).

On Saturday, 8 June, two exceptional performances are lined up. The first is He aquí un acto romántico, by the Richard Mascherin Company (nominated for the Max Award for Best Male Dance Performer) at 6:00 p.m. at Espacio La Granja, and the second is Sonoma, at 8:00 p.m. at Teatro Guimerá, by the company La Veronal, led by Marcos Morau, winner of the National Dance Award.

The Symphony Hall of the Auditorio de Tenerife hosts the FAM festival's grand finale, the large-format show Mont Ventoux, interpreted by the Spanish company Kor'sia. The show takes place on Sunday, 9 June, at 7:30 p.m. It has three nominations for the Max Awards 2024, to be presented on 1 July at the Auditorio de Tenerife: Best Dance Performance, Best Choreography, and Best Musical Composition.

The programme is a showcase of the talent in Spain. It will delight audiences with the power of live dance in the capital with large-scale theatrical performances, outdoor solo performances, award-winning duets, interdisciplinary pieces and many more acts in different formats and offering different concepts that go from reflections on the passing of time to representations of the gravitational effect on bodies, all interpreted through the lens of contemporary dance.

The FAM festival is an initiative promoted by the Auditorio de Tenerife with the collaboration of the Canary Islands Government, through the Regional Institute of Cultural Development, the Autonomous Department of Cultural Affairs of the City Council of Santa Cruz de Tenerife and the programme "Danza a Escena", which is part of the Spanish Network of Theatres of the National Institute of Performing Arts and Music (INAEM) of Spain's Ministry of Culture.

Pablo González conducts this Friday's concert with the sponsorship of the Fundación Occident

This Friday (7th) at 7:30 p.m. the Canadian pianist Jaeden Izik-Dzurko is making his solo debut in the Sinfónica de Tenerife season. The María Canals Competition 2022 winner will perform in the Piano Concerto No. 2022 by Brahms, part of a programme supported by the Fundación Occident, which will be conducted by Pablo González. In addition to the Brahms piece, the orchestra will perform Symphony No. 5 by Nielsen.

Pablo González notes that "this is a fascinating programme that will allow us to enjoy two composers whose music exudes emotion and intense feelings, although expressed in very distinctive ways". The conductor from Oviedo highlights "the range from the intimate melancholy to the robust optimism of the Brahms score, along with the exploration of the individual's battle against power and the quest for hope in wartime, in Nielsen's composition". González is returning to conduct the Tenerife Symphony Orchestra seven years after he last did so, and oddly, in a concert with the same composers back then.

The Piano Concerto No. 2 in B-flat major, Op. 83 by Johannes Brahms is a masterpiece of musical creation, composed in 1881. Unlike his first concerto, contemporary critics greeted this piece with great acclaim, a testament to its depth and technical complexity. Unlike his first concerto, contemporary critics greeted this piece with great acclaim. Following the example set by Liszt, the German composer changed the traditional approach to the classical concerto, by introducing a second fast movement after the first movement.

After the interlude, there will be a performance of Symphony No. 5, op. 50 by Carl Nielsen., Composed in 1922, this piece is engaged with his era and framed by the prevailing social atmosphere of chaos in the wake of the First World War. Unlike symphonies of this period, the work only has two movements featuring different chaotic and warlike elements that hastily run into a final coda in which humanity ultimately triumphs.

Pablo González studied at the Guildhall School of Music & Drama in London, and his distinctions include First Place in the Cadaqués Orchestra International Conducting Competition” and the “Donatella Flick”. He was the principal conductor of the Spanish RTVE Orchestra, and from November 2018 up until the end of the 2022-2023 season, he served as the artistic advisor of the RTVE Symphony Orchestra and Choir. Previously, he was the main conductor of the Orquestra Simfònica de Barcelona I Nacional de Catalunya (OBC) and principal chief guest conductor of the Orchestra Ciudad de Granada.

Besides the Sinfónica de Tenerife, González has conducted important international orchestras such as the Deutsche Kammerphilharmonie Bremen, Netherlands Philharmonic Orchestra, London Symphony Orchestra, Scottish Chamber Orchestra, BBC National Orchestra of Wales, Royal Philharmonic Orchestra, Warsaw Philharmonic, Orchestre Philharmonique de Liège, NHK Orchestra (Japan), Orquesta Sinfónica Nacional de México, Kyoto Symphony Orchestra, as well as the main Spanish orchestras.

The 25-year-old Canadian Jaeden Izik-Dzurko graduated in music from the Juilliard School and undertook a master's degree in music from the University of British Columbia. He studies with Jacob Leuschner at the Hochschule für Musik in Detmold and with Benedetto Lupo at the Accademia Nazionale di Santa Cecilia.

In 2022, he also won the Maria Canals International Music Competition and took First Place in the Hilton Head International Piano Competition. He was recently awarded First Place in the 20th International Paloma O'Shea Santander Piano Competition, the Canon Public and Chamber Music prizes.

Izik-Dzurko has performed with the Bilbao Orkestra Sinfonikoa, the Calgary Philharmonic Orchestra, the Hilton Head Symphony Orchestra, the Okanagan Symphony Orchestra, the Kamloops Symphony Orchestra, the Jove Orquestra Nacional de Catalunya, the Orquesta Sinfónica de Madrid, the Orquesta Sinfónica de RTVE and the Real Orquesta Sinfónica de Sevilla. He has appeared as a recitalist in venues such as the Wigmore Hall in London, the Weill Recital Hall at Carnegie Hall in New York, the Salle Cortot in Paris and the National Music Auditorium in Madrid.

ATADEM, the Tenerife Association for Friends of Music, is offering the usual free talk beforehand on the characteristics of the two pieces that make up this musical programme. On this occasion, it will be presented by Carmen Celia Cabaña y García at 6:30 p.m. in the Sala Avenida, located in the hall of the Auditorio de Tenerife.

The tickets for this concert can be purchased until the day of the event on the website www.sinfonicadetenerife.es, at the auditorium's box office and by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. Please note that tomorrow (Tuesday 4) is the renewal deadline for renewing the subscriptions for next season. On Thursday (6), the period begins -until Monday 10- for subscription holders who wish to change their seats.

The catalogue with the selected shows and processes will be offered to the island's schools for the 2024-2025 school year.

Theatre, dance, movement art companies and music groups on the island can now register for the new edition of "Teatro en la Escuela" (Theatre at School). The programme by the Auditorio de Tenerife and the Island Council's Culture Area will select the registered projects and create a catalogue with which the educational centres can apply for performances or creative processes to work with their students during the 2024-2025 school year.

The rules of this programme organised by the Educational and Social Area of the Auditorio de Tenerife can now be checked on the website https://auditoriodetenerife.com/es/educativa-y-social/teatro-en-la-escuela. Theatre, dance and movement arts companies, contemporary circus, performance and live arts, as well as other forms linked to the performing and musical arts, must present their projects for shows or creative processes in the form of a file and accompanied by a teaching guide tailored to the age of the pupils it is aimed at, which can be for preschool, primary, secondary, baccalaureate education, and training cycles. The registration period ends on 21 June.

One of the new features is that specific topics are included in the projects presented. These may be representations or processes linked to multiculturalism, interculturality and the objectives of some of the Unesco Sustainable Development Goals (SDGs) mentioned in the principles, such as promoting mental health or eliminating gender disparity.

An assessment committee will undertake the selection based on the criteria established in these rules, following the principles of objectivity, competition, and advertising, guaranteeing the transparency of all the actions carried out to select them.

This ninth edition begins in October 2024 and runs until June 2025, coinciding with the school year. The objectives of this programme notably include making students aware of performing and musical languages in their educational context, as well as providing access to and disseminating the performing and music arts among pupils on the island. On the other hand, it is important to link academic aspects to the professional context of performing and musical arts in Tenerife.

Thus, another of the goals is to encourage values focused on dance and movement arts, relating to art, health, the body, and movement, linked to the artistic discipline of dance in a cross-cutting and cross-disciplinary way. Enriching and diversifying communicative, expressive, and creative possibilities through musical language is also included.

Encouraging the all-around development of students through arts and creating the foundations to encourage the socialisation of students within the school space through cultural activities are other aims of this initiative which is celebrating its ninth consecutive year.