Blog Archives
The members of this young Spanish dance company feel the desire and need to work from a contemporaneous point of view, from within a relationship with the current context of live arts, engaging in dialogue and incorporating other forms of language that enhance contact with and proximity to the spectator, and upholding at all times […]
Ribeiro is a transoceanic artist, conceptual bitch and afro-futurist lover. His work moves between choreography, performing arts and cosmic boogie. It explores what he defines as the four-p concept: the relationship between the political, the poetic, the personal and the pathetic. He is particularly interested in an expanded horizon in practices and projects that trigger […]
Héctor González Pérez estuvo casi 30 años en Los Sabandeños, como solista, arreglista, compositor y director musical. Aparte de dirigir y componer para grupos como Atlantes y Achamán, da cursos formativos sobre el folklore de nuestras islas, y aspectos más estrictamente musicales y compositivos.
Nacido en Santa Cruz de Tenerife en 1967 en el seno de una familia de folkloristas (Olga, Sebastián, Manuel, etc…) empieza desde muy pequeño a actuar en los escenarios, de mano de su madre Olga, en el grupo Zebenzuí de Punta del Hidalgo. Durante su adolescencia y sin abandonar en ningún momento su actividad con […]
Vacaburra es el resultado de la colisión de dos artistas: Andrea Quintana y Gena Baamonde. En 2019 unen sus inquietudes y trayectorias en un proyecto común que gira en torno a la creación escénica y coreográfica en clave contemporánea, una plataforma de creación atravesada por el feminismo, el cuerpo, la danza, la diversidad sexual, la […]
The outstanding violinist Ziyu He was one of the youngest soloists ever to perform with the Vienna Philharmonic when he made his debut with this world-class orchestra under Adam Fischer at the Musikverein in 2017, aged just 18. The year before, he won both the International Mozart Competition in Salzburg and the Yehudi Menuhin Competition, […]
Ganador del primer premio de Queen Elisabeth Competition en 2017 (el primer año dedicado al violonchelo), Victor Julien-Laferrière fue descrito como “uno de los talentos más fiables de la joven generación de violonchelistas franceses” por la revista Diapason. También recibió el primer premio y dos premios especiales en el Concurso Internacional Primavera de Praga 2012, […]
It has been said that Stian Westerhus has little or no respect for his guitar, but it can certainly be argued that he has no respect for music in general. Stian Westerhus has been at the forefront of his generation for the last twenty years, pushing boundaries and broadening the perception of our musical heritage. […]
Excavation. Movement as a driving force for activity. How can a body suspended in the void change sound and visible waves? Light, sound, and vertical choreography will join forces for a week to explore the possibilities and limitations (if any) of this amalgam of disciplines. Three elements work in synergy to surprise their creators. This […]
Justin Hurwitz, graduated from Harvard University in 2008, where he studied music composition and orchestration. He composed the songs and score for Damien Chazelle’s 2010 feature debut, Guy and Madeline on a Park Bench. In 2014, he composed the original score for Whiplash, earning a Grammy nomination. In 2016, he composed the soundtrack for La […]
Pedro Chamizo (Mérida 1983), es licenciado en Arte Dramático por la University of Kent at Canterbury en la especialidad de interpretación y dirección. Trabaja como videocreador, director de escena, diseñador de iluminación, diseñador gráfico y productor. Por su capacidad emprendedora fue galardonado con el Premio Ceres de la Juventud del Festival de Mérida. Como videocreador […]
Na Floresta is a musical triptych that recreates the beauty of the Amazon rainforest, directly taking from the folklore the very essence of its splendour. Passionate energy runs through this work, created through sequences packed with content and fluidity. It does not transmit a specific message, rather it serves as a pretext to create movement […]