Blog Archives
The artistic team explains: Revelar un lugar (Revealing a place) is a collective mechanism for revealing a place. To do so, we are developing a practice in different open spaces where we work with sound and movement as materialities that alternate in different time and sensory periods. This perceptive practice is based on an event […]
A group inevitably influenced by the intense electronic music scene of Vienna. The city is currently an open creative home for many composers and innovators within the field of experimental music and the members of Radian have been pillars of that community since the first decade of the 2000´s. The juxtaposition of extremes can be […]
Created in 2015. Throughout its trajectory it has received several awards and recognitions:– Three nominations for the 2020 Max Awards, as Best New Show, Best New Creator and Best Male Performer, with the show “CREENCIAS (Beliefs)”.– Semi-finalist at Cante de las Minas International Festival 2019.– Nominated for the 2018 Max Awards as Best New Show, with “Tic Tac […]
The artistic proposals of Elvi Balboa normally turn public spaces and unique spaces into spaces of study and creation. The aim is to understand these spaces across all their riches and dimensions: spatial, historic, social and poetic. The artistic proposals of Elvi Balboa always adapt to the environment in which they are staged, offering an […]
Born in Legazpi (Spain), after finishing his musical studies at the Higher Conservatory of Music of San Sebastián, Juan Kruz Díaz de Garaio Esnaola completed his Degree in Early Music as a countertenor at the Akademie voor Oude Muziek in Amsterdam, where his career as a singer got off on a great start. His encounter […]
Formado en la Escuela Superior de Música de Catalunya junto a la soprano Marta Almajano, donde se especializa con matrícula de honor en canto histórico, también ha recibido clases de Carlos Mena, Adrian Thompson, Víctor Torres y Fabien Schofrin. Además de haber sido seleccionado como solista por la L’Académie baroque d’Ambronay, cuyo principal propósito es […]
Helena Lizari Dancer and choreographer. A movement and psychomotricity teacher. She holds a degree in theories and analysis of movement, dance studies and performance from the AHK in Amsterdam. She has studied with Jeremy Nelson, Stephen Petronius, Meg Stuart, David Zambrano, Trisha Brown,Cía. Merce Cunningham, Wim Vandekeybus, Anne Teresa de Keersmaeker, Lloyd Nweson (DV8), Susan […]
The Austrian organist Valentin Fheodoroff was born in 1993 and began his musical career as a pianist. Since 2003, study with Danja Lukan (Vienna) has been at the centre of his musical training. Up to the present day, she constantly promotes his character and the expressiveness of his piano and organ performance, as well as […]
Born in Ravenna, Alessandro Tampieri began his music studies in his hometown and became a member of the Accademia Bizantina at the age of fifteen. During his education he was devoted, with equal interest, to the violin and viola, working with very well-known composers such as Luciano Berio and Azio Corghi, acquiring significant experience as […]
Delphine Galou studied philosophy at the Sorbonne while also studying piano and singing. She specialised in the Baroque repertoire, collaborating with groups such as Balthasar Neumann (Thomas Hengelbrock), I Barocchisti (Diego Fasolis) and the Accademia Bizantina (Ottavio Dantone), Barroque Orchestra of Venice (Andrea Marcon), El Complejo Barroco (Alan Curtis), Les Siècles (François-Xavier Roth), Les Arts […]
After receiving a degree in organ and harpsichord at the Giuseppe Verdi Conservatory in Milan, he began his concert career at a very young age and quickly rose to prominence among critics as one of the most experienced and talented harpsichord players of his generation. In 1985 he won the basso continuo prize at the […]
Accademia Bizantina (AB) was founded in Ravenna in 1983. The essence of Accademia Bizantina’s music lies in exploring the origins of Baroque stylistic language, which it investigates without adding, removing, or altering the sounds of period instruments. This distinctive interpretative approach was established in 1996 with the appointment of its director, Ottavio Dantone, a true […]